Author of the Month
Authors by their birthday month: January -- February -- March -- April -- May -- June -- July -- August -- September -- October -- November -- December
Born: New York City, June 27, 1928
Education: Graduated from Hamilton College, Clinton, NY, in 1950
Military service: Korean War, infantry, discharged in 1951
Family: married Carol Burrows in 1952. They had two children: Geoffrey and Andrew. Divorced his first wife and married Ida Karen Potash.
Work: worked as a magazine editor from 1952 to 1958 in New York City; also part-time trombonist at jazz clubs in Greenwich Village during the 1950s. He gave up the editing work and became a freelance writer full-time in 1958 and continues to work occasionally as a jazz musician.
Currently Lives in: New York City
First Books: Cheers, an adult book, in 1961; Battleground: The United States Army in World War II, a non-fiction children’s book, in 1965; The Teddy Bear Habit; or, How I Became a Winner, a children’s novel, in 1967.
Selected Awards: My Brother Sam Is Dead, Newbery Honor book, ALA Notable Book, Jane Addams Honor Book Award, National Book Award Finalist, Phoenix Award; War Comes to Willy Freeman, Notable Social Studies Trade Books for Young People; Chipper, Notable Studies Trade Book for Young People; Decision in Philadelphia: The Constitutional Convention of 1787, Christopher Award; Jump Ship to Freedom, Notable Social Studies Trade Book for Young People; The Making of Jazz, American Book Award Finalist.
When he was a very young boy, Andrew Clements loved A.A. Milne's House at Pooh Corner and Margaret Wise Brown's The Five Little Firemen. By the time he started school, he already loved reading. He read so much he surprised his teachers. Once he checked out a big book of Greek myths from the school library. The next day, he brought it back. The librarian said if it had been too hard for him he was welcome to get another book. Andrew wanted another book all right. Another thick book. He had finished the Greek myths in one day and was ready for more good stuff.
Beverly thought she had the greatest life. Things were exciting on the family farm for a little girl, and her mom and dad were working too hard to keep their dark-haired daughter from having fun. On glorious days filled with sunshine, she helped bring the lazy cows in from the pasture, picked armfuls of wild flowers, and learned the names of the trees and the birds from her father as they rode in the wagon across the field to gather firewood.
“Any memorable children’s book will possess drama, vitality, vividness, possibly wit and humor, and its own dignity—that is, a deep respect for the child’s quick and devastating perceptions. As for the story itself, it will convey a sense of complete inevitability, a feeling of rightness throughout the whole structure. This can only be attained by the writer’s evoking the true aura of childhood through re-experiencing that emotional state he lived in as a child, a state composed of delight in the simplest, most secret, sometimes the oddest things, of sadnesses and fears and terrors one could not or would not explain, of a continuing wonder about much that seems drab and familiar to adults”
--Eleanor Cameron writing in The Green and Burning Tree: On the Writing and Enjoyment of Children’s Books, pg. 14
Eleanor Cameron was capable of doing all these things, whether writing science fiction, fantasy or more everyday stories. She was a celebrated children’s writer of the 1960s and 1970s and was known for her lyrical style and the honesty with which she told her tales. A mature reader of That Julia Redfern, featuring an aspiring young writer living in the 1910s Berkley, can easily find grown-up themes that are layered into the story and come to fruition in books about an older Julia, such as A Room Made of Windows.
Ashley Bryan is a man who uses his words and pictures to lift up readers' spirits. When he enters a room and starts to tell stories from Africa's past, he transports his audience to a faraway, long ago time to learn valuable lessons for today. His talents illuminate wisdom earned from a lifetime of hard work.
“...it makes me uncomfortable to know that my story Tuck Everlasting is required reading in some classrooms. My sympathies are entirely with the children, for many will react to Tuck as I well might have with a shudder. Many will find its language too ‘fancy,’ its pace too slow, its topic unsettling, the behavior of its hero incomprehensible.” — Natalie Babbitt in "Saying What You Think." The Quarterly Journal of the Library of Congress*
It is perhaps surprising that an author would almost prefer her books were not required reading. But it is less surprising in Natalie Babbitt’s case. Her best-beloved books are sweet and strong and true in spirit while containing enough wonder and marvel to lend a sparkle to a reader’s otherwise mundane childhood. This children’s author, like many of the best, remembers what it is like to be a child. What she liked to read—and what she didn’t. She understands that children have strong opinions on their favorite books, even if they may not be comfortable in expressing them. She certainly remembers what she liked:
"Avi!" that was the nickname his twin sister called him when they were small. That was enough of a name for Avi (pronounced Ah-Vee) Wortis then, and it's still the name that he writes under today.
Avi came from a family who were passionate about radical politics and the arts. Family members in New York and Boston argued all the time, but in a loving way, so any dinner table discussion might turn into a free-for-all of exciting ideas.
Jim Arnosky may have been born in New York City, but he has spent much of the rest of his life living in wild places. He uses his storytelling skills—both words and art—to bring kids closer to nature.
Born September 1, 1946, Jim grew up in the Pennsylvania countryside. He knew what he wanted to be when he grew up: a cartoonist! He realized that ambition, but along the way, he joined the Navy. After his service, he started drawing for Ranger Rick magazine. Wisely, he took the advice of a more experienced artist who told him to keep a journal alongside his drawings.