Author of the Month
Authors by their birthday month: January -- February -- March -- April -- May -- June -- July -- August -- September -- October -- November -- December
“Any memorable children’s book will possess drama, vitality, vividness, possibly wit and humor, and its own dignity—that is, a deep respect for the child’s quick and devastating perceptions. As for the story itself, it will convey a sense of complete inevitability, a feeling of rightness throughout the whole structure. This can only be attained by the writer’s evoking the true aura of childhood through re-experiencing that emotional state he lived in as a child, a state composed of delight in the simplest, most secret, sometimes the oddest things, of sadnesses and fears and terrors one could not or would not explain, of a continuing wonder about much that seems drab and familiar to adults”
--Eleanor Cameron writing in The Green and Burning Tree: On the Writing and Enjoyment of Children’s Books, pg. 14
Eleanor Cameron was capable of doing all these things, whether writing science fiction, fantasy or more everyday stories. She was a celebrated children’s writer of the 1960s and 1970s and was known for her lyrical style and the honesty with which she told her tales. A mature reader of That Julia Redfern, featuring an aspiring young writer living in the 1910s Berkley, can easily find grown-up themes that are layered into the story and come to fruition in books about an older Julia, such as A Room Made of Windows.
"As soon as he entered the wood all those great trees, and the interlaced brambles and thorns, separated to let him pass. He walked towards the castle, which he could see at the end of a great avenue. He was surprised that none of his companions had been able to follow him, since the trees had closed in again as soon as he had passed. But he did not falter. A young prince in love is always brave."
Sleeping Beauty. Cinderella. Puss in Boots. Little Red Riding Hood.
These enduring stories were created as we know them by a brilliant man who lived in 17th-century France. Although similar, but simpler stories were gathered more directly by the folklorists Jacob and Wilhelm Grimm in the 19th century, it was Charles Perrault's addition of delicate and amusing words, crafted to entrance a noble audience, that caught fire with readers' imaginations and were the basis for the way these stories are remembered today. It is easy to see the difference between a story collected by Grimm and a tale sculpted by Perrault. A Grimm tale is simple and direct and sometimes alarming while Perrault's are laced with details that still fire modern imaginations.
Wilbur Munro Leaf is best known for his beloved book, The Story of Ferdinand. It’s the tale of a peaceful yet rebellious bull that would rather enjoy the flowers in his meadow than fight in an arena. Munro Leaf and his friend, award-winning artist and writer Robert Lawson, had been talking about the kind of book they would want to write if they could get past the publisher’s ideas of what made a good book. It took him less than an hour—“25 minutes on a rainy Saturday”--to scribble down the story on a yellow pad of paper. With Lawson’s illustrations, the beatific bull was on his way to becoming internationally famous for his peaceful message in 1936--a time when the world was coming apart in war.
Libraries are chock full of Marjorie Sharmat’s books, especially the many tales of her young detective, Nate the Great. Nate is indeed great—at solving mysteries--but only after a plate of pancakes! Nate the Great is the start of one of the most popular series ever written for beginning readers. These mysteries are also drily witty and have been enjoyed by kids and adults alike.
As a girl, Marjorie Weinman was rather shy. She enjoyed playing the piano, reading and drawing. But her ambitions were not so tame. When she grew up, she wanted to be a writer or a detective or a lion tamer! With a friend, she published The Snooper’s Gazette; filled with news they learned by spying on grown-ups! She kept writing throughout her high school years, eventually getting published in school magazines and newspapers.
He was trouble, into everything at once, with an imagination that just wouldn't quit. Neither his teachers nor his parents knew quite what to do with him. But when he opened his mouth the most beautiful sounds came out. Young Jack Prelutsky had a glorious voice, so good they called him a prodigy, and the New York Metropolitan Opera's choirmaster gave him free lessons. But he gave up his dream of being the world's best opera singer when he heard Luciano Pavarotti perform. He knew he couldn't match that amazing voice, and he did know for certain that whatever he did in his life, he wanted to be the very best at it.
Dockside in Liverpool, England, was an exciting place to be a kid. Growing up there, young Brian Jacques (pronounced "Jacks") was surrounded by a loving and hardworking family. When his seafaring uncles would stop by between voyages, Brian heard tales of faraway places and amazing adventures. He listened, fascinated as his relatives "painted pictures with words."
Eleanor Ruth Rosenfeld (Estes) loved to tell stories to children. She began by working as a children's assistant in her hometown library, but when she became sick with tuberculosis, she spent the quiet days of her recovery writing down her childhood memories as a series of stories for young readers.
In The Moffats, a terrific family, growing up during tough times in Cranbury, Connecticut in the 1910s, face calamity when the landlord puts a "For Sale" sign on their beloved yellow house. Janey's widowed mother works as a seamstress every day to put food on the table, coal in the grate, and clothes on their backs, but there isn't enough money left to buy a home. Week after week, month after month, the kids--fifteen-year-old Sylvie, twelve-year-old Joey, nine-year-old Janey, and five-year-old Rufus--expect the worst: that someone will buy their house, and then what will happen?
Artist and author Glen Rounds was neither a tenderfoot nor a city slicker. He was the real deal of the nearly Wild West--though he wasn’t beyond telling a few tall tales, too, here and there. Born in a sod house in the Badlands of South Dakota, when he was just a babe he and his family traveled by covered wagon to the open spaces of Montana.