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For science fiction aficionados, the premise of WWW: Wake by Robert J. Sawyer initially sounds, well, perhaps a bit contrived (even beyond the normal contrivances of science fiction). But keep reading: the protagonist, Caitlin Dector, is a young blind millennial who has never known a world without the Internet, a world she can navigate with ease through the use of assistive technologies. Caitlin becomes the subject of an experimental procedure to restore sight. However, when her vision is "switched on" she does not see the physical world, but an abstract representation of the World Wide Web. While exploring her strange new ability, she discovers a growing intelligence emerging from within the Web . . . see what I mean? My first thought after hearing this description was, "That sounds like the plot of a bad 90s Outer Limits episode." After cracking the book open however, I found WWW: Wake tells a fascinating story, blending the best of both science fiction and hard science as well as cyberculture, blind culture, information theory, epidemiology, world politics, family dynamics, pedagogical theory, teenage culture, and probably a few other things I'm not thinking of. All of that in one book. And it's really, really good.
Rural 1950s Arkansas is the setting for John Grisham’s Southern thriller, A Painted House. It’s the beginning of a summer full of sweltering days, acres of cotton to pick, dangerous desire, and deadly secrets to keep.
This is Week 10 of a 12-Week series of blog posts reviewing new young adult books. Check back each Monday for a new review.
Beautiful Creatures by Kami Garcia and Margaret Stohl is a page-turning story of star-crossed teenage love with a Southern gothic twist and a side of magic.
In the town of Gatlin, South Carolina, everyone knows everybody's business and nothing exciting ever happens, unless you count the annual re-enactment of a local Civil War battle. Unbeknownst to the residents of Gatlin (at least most residents) beneath the thick Southern accents and Spanish moss lurks a whole other magical world, one of hidden underground libraries, voodoo and deadly family curses.
Lena Duchannes and Ethan Wate bridge the gap between these two worlds - two worlds that were never meant to meet.
"Now we see in a glass dimly, but then face to face."
It's almost impossible to find a CD that all the kids in our family car - ages 11, 9, 6, and 4 - will listen to. I know, however, that the kids will always be entranced by one of They Might Be Giants' (TMBG) kids CDs. TMBG provides a great alternative for kids who are searching for something to listen to besides Radio Disney, Kidz Bop, and Hannah Montanna. Their album "Here Come the ABCs" may sound like it's only geared toward the pre-school set, but the songs are lyrically sophisticated and really catchy.
One of our favorite songs, "E Eats Everything" is a hilarious trip through the alphabet via letters with various food issues. "A" hardly has an appetite, "D" is disinterested in anything you've got, "F" is far too fussy and only eats with fancy wine, and H burns his food horribly. The song goes through the alphabet until we get to the letter z, where there's a big surprise. A song like this works on so many different levels - the older kids appreciate the humor of poor "I" always doomed to inhale H's smoke, while the younger ones are thrilled to repeat the refrain "E eats Everything." Other favorite songs are "Alphabet of Nations," "Clap Your Hands," and "Flying V." Check it out today!
With one voice, the critics have proclaimed Tom Rachman's debut novel, The Imperfectionists, a zinger. Christopher Buckley, in his cover piece in the New York Times Book Review (April 29, 2010) says it was "so good I had to read it twice simply to figure out how [he] pulled it off."
The book's story is essentially the 50-year history of an unnamed small English-language daily newspaper published in Rome. True to where the world of print journalism is headed, there is not a happy ending. The cast of characters --- the journalists, writers, publishers staffing the paper during its final days --- is paraded out in discreet chapters that could work as stand-alone short stories but that are neatly interwoven under often satiric banner headlines emblematic of each subject. (Obit writer Arthur Gopal's chapter heading is "World's Oldest Liar Dies at 126"). The portraits are sometimes laugh-out-loud funny, frequently very sad, often ironic and always tightly constructed with description and dialog that bring each character to life. The arc of the newspaper's life is chronicled in chapters separating the staff portraits, functioning as a common backdrop against which the journalists' individual stories are acted out. Each of the stories and, indeed, the overarching tracing of the newspaper's demise touches in some way on death, loss, or grieving for happier days. Each of the staffers' stories is told in the present tense, tellingly juxtaposed against the newspaper sections - - past tense, history.