Arts and Artists
Bestselling author Lawrence Block's collection of short stories, published in 2016, In Sunlight or in Shadow: Stories Inspired by the Paintings of Edward Hopper was a huge success. The panoply of contributors' ideas about well-known American artist Edward Hopper was widely hailed by literary crowds around the nation. Block knew he had to come up with an encore, which is another collection of short stories based on famous artwork, Alive in Shape and Color: 17 Paintings by Great Artists and the Stories They Inspired.
Vera Baker was born in Los Angeles, California, on January 28, 1927. She and her family moved to New York City when she was quite young. Luckily for Vera, they lived near a studio space called Bronx House where she learned painting, writing, acting, and dance. When she was nine-years-old, one of her paintings, called "Yentas," was put on exhibit at the Museum of Modern Art. She was filmed there explaining to First Lady Eleanor Roosevelt the meaning behind her work. The Movietone film reel ran before the regular features at the movies. This, Vera recalled, made her quite a big shot in the neighborhood!
Born: January 28, 1927, in Los Angeles, California
Parents: Albert Baker and Rebecca (Porringer) Baker, Jewish immigrants
Attended: the High School of Music and Arts in Manhattan; bachelor's degree in graphic arts from Black Mountain College in North Carolina
Married: Paul Williams (divorced in 1970)
Children: Sarah, Jennifer, and Merce
First book (illustrated): Hooray for Me! with text by Remy Charlip and Lilian Moore; First Book (written and illustrated): It's a Gingerbread House: Bake It, Build It, Eat It
Selected Awards: Caldecott Honors for "More More More" Said the Baby and A Chair for My Mother; Parents' Choice Award (illustration) for Three Days on a River in a Red Canoe; Jane Addams Honor for Amber Was Brave, Essie Was Smart; Regina Medal of the Catholic Library Association for her body of work; NSK Neustadt Prize for Children’s Literature for her body of work
Arrested at a women's anti-war protest at the Pentagon in 1981 and served a month at a federal prison camp in Alderson, West Virginia.
Died: October 16, 2015
By Janet Payne
Janet Payne is the retired fine arts coordinator of the Stafford (VA) County Public Schools. This article originally appeared in the International Review of African American Art, volume 16, number 1, and is reproduced here with the permission of this publication.
In 1996 on one of my many visits to the Hampton University Museum, I had the opportunity to see the recently acquired Countee Cullen collection. As I viewed the familiar names of African American artists, I noticed an artist unknown to me—Palmer C. Hayden of Wide Water, Virginia. Could that be the same Widewater in Stafford County where I am the fine arts coordinator? How could this be? My research on the Stafford-born artist Palmer C. Hayden began in this moment.
When Batman was first written, one name was attached to his creation: Bob Kane. Bob's name appeared in every Batman comic, without any other creator noted. However, this is not true. Bill Finger, a Depression-era, New York resident, had a lot to do with it, too. In fact, according to Marc Tyler Nobleman's breakthrough biography Bill the Boy Wonder: The Secret Co-Creator of Batman, Bill was responsible for the majority of the Batman persona we see today.
It's a bird . . . it's a plane . . . it's Siegel and Shuster!
Marc Tyler Nobleman likes comic books. Actually, he loves comic books. And, he loves the histories of his comic-book writers. On Saturday, September 9, from 3:00-4:00 at England Run Branch, Mr. Nobleman will be joining us as part of the University of Mary Washington's Great Lives series to talk about his beloved superheroes, the books he has written, and the inspiration he continues to receive from creators such as Bill Finger, Jerry Siegel, and Joe Shuster.
Provensen and Provensen. Alice and Martin. Martin and Alice. Two illustrators and writers working so closely together that their styles were indistinguishable. It was the same style really, gentle drawings so delightful in their clarity that they subtly underscored the text of the dozens of children's books that they illustrated.
"One of the most important things is to laugh with your children and to let them see you think they're being funny when they're trying to be. It gives children enormous pleasure to think they've made you laugh. They feel they've reached one of the nicest parts in you.... As a picture book artist, I don't think one can be too much on the side of the child."*
Helen Oxenbury understands babies. She knows that they are messy, cranky, and wonderful. She knows that few things fascinate a baby like, well, another baby. In the world of board books, those sturdy first books that are impervious to drool and can survive a few tasty chews, Helen Oxenbury reigns supreme.
The Owl and the pussy-cat went to sea
In a beautiful pea-green boat,
They took some honey, and plenty of money,
Wrapped up in a five-pound note.
The Owl and the Pussycat is a funny sort of poem indeed and only one of Mr. Lear's many nonsense verses. Anyone who would travel along with a Pobble who has no toes or take a sail in a sieve with the blue-handed Jumblies is welcome to be a friend of Mr. Lear.
William Shakespeare is considered to be one of the most influential playwrights in literature. Over four hundred years ago, he lit up the stage at the famous Globe Theater in 16th- and 17th-century England with his lavish histories, comedies, and tragedies.